Whites, creams, and ecru combine for white out conditions, and I'm not talking about the kind of white out conditions I'm privy to in the Midwest. The talk is all about decorating with lack of color or hue, and in artsy terms, a surface that REFLECTS EVERY color, thus appears white.
My favorite white basket is filled with an off white china plate, a silver plate, and a distressed thingamajig (thingamajig: item with absolutly no purpose, but adding color or texture). My black pedestal table displays a candlestick, a vintage pottery piece, a children's tea set and a glittered star.
When putting together vignettes of one color, (or in this case, lack of color), choose pieces with texture and variations of the same color. Think of visual texture as the glue that holds it all together. If all the pieces were glossy or matte they would seem to slide away. The weave of the basket adds visual texture that allows the sleekness of the pottery and silver pieces to (visually) stick together. The pottery and the thingamajig add another type of glue due to their distressed appearance. Even the star contrasts and adds texture against a glossy tea service. I like it simply for the pop of sparkle :)
I prefer combining white with its complementary color: black. This works well for me because I have touches of black around my home, like the table where this vignette sits. I added silver pieces because black and white mixed together makes gray (silver). Easy peasy. Get it? But, remember the best rule when combining items, do you like it?
My friend Mary at Vintage Patina really knows how to use white and creams in her home. The following pictures are from her Christmas post, (I know, I just can't let Christmas go).
Look at those textures!
This is the kind of white out I don't mind!
DIY: The star in the little silver children's teapot is an easy do it yourself project. You can buy chipboard stars already cut out at your local hobby store. Paint the star silver, and glitter away!
Blessings, Ele
